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Faith Gay & Raymond Uhlir at d berman Gallery
by June Mattingly // regularmain.com

I can attest to Faith’s continued use of recycled commonplace materials - the piece I own consists of
floating imaginary configurations of melted (with an iron) brightly colored plastic beads she carefully
attached herself with straight pins to the wall. Not obvious initially, the nature oriented symbols in her
radiantly happy looking compositions range from rainbow rays, fluffy clouds, mountains peaks and
striking lightning. As in my piece, for this new body of work Faith applies her signature treatment of
vivid colors and repetitive whimsical shapes.  
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Jane Mattingly - Art Contributor for modaustin.net writes a regular blog
regularmain.com  focusing on Texas Artists.
Faith Gay - Vashti 10CC, 2009 - Paper, Plastic, Tape & Cardboard on Panel
30 x 30 inches
Gay delights in reconfiguring throwaways such as stickers, colored tape and ribbons from
daily life because she wants “fewer limitations to break rules…(to) investigate notions of
excess, consumer culture, and artistic freedom in the midst of economic pressures…
Whether it be Texas thunderstorms with triple rainbows, birdfeeder hierarchies, plants
that flourish in 110F… I can always count on being delighted and inspired by the
living world around me…” To sum up her philosophy of life “typically an artist’s basic
living skills are honed to live within their means, make do with less, and think harder
and smarter about how to use what is left over.”
Elooizonico, 2009  - Paper, Plastic, Tape & Cardboard on Panel  52 x 31 1/2 inches
Her BFA is from the University of Texas in Austin. The last time I saw her was in the fall of
2006 in Marfa in a group show at Galleri Urbane holding the hand of Honey, her sweet
young daughter.
Faith shares the gallery walls with Raymond Uhlir’s brilliantly colored fairy-tale vignettes of
his personally ingenuous happy-go- lucky cartoon characters cajoling in a coordinated
brightly lit background. The bodies of work of both artists exude in exuberant personality
and imaginative symbolism to lift the viewer way up high in the sky into a close to perfect
make-believe world.
Shine On You Crazy Oracle (Because There's No Way I Believe This is Happening), 2009
Oil Enamel on Canvas - 26 1/2 x 40 inches
To present a more serious examination and bring us back down on the ground to reality,
Uhlir brings together “disparate visual and contextual devices from popular, historical,
and sacred culture…he constructs a loose narrative reminiscent of religious or folkloric
tales while commenting on “the repetitive collision of ideologies (as) a source of
unending conflict in our civilization… to critique and question the hierarchical status
quo of our society, the conflicts between religious belief and rationality, and the
mythologies our culture is built upon.”  
You Play Beautifully. (But You Must Work Harder. No Cowards. Quit that Moody
Brooding.), 2009 - Gouache and Ink on Paper - 15 x 21 1/2 inches
Uhlir received his MFA from the University of California, Santa Barbara.

Both artists’ shows will be on view to cool off in, if any art can possibly do that this art
can, through the hot Texas month of August.   
Show ends August 21